Who is kenta crisà and How can I contact kenta crisà?
kenta crisà is currently employed at Robin studio. kenta is an experienced professional working at robin studio as the regista cinematografico. kentas phone number is (***) ***-*** and email is ****@****.com to get more information install Orion extension.
Where is kenta crisà currently working?
kenta crisà is currently employed at Robin studio.
What is the Designation of kenta crisà?
At present, kenta crisà is serving as the regista cinematografico.
What is the Official Email Address of kenta crisà?
The professional email used by kenta crisà is ****@****.com.
What is the Professional Contact Number?
kenta crisà's professional contact number is (***) ***-***.
What are the Skills of kenta crisà?
Direzione artistica, photoshop, montaggio video, social media, after effects, premiere, produzione video, editing, fotografia, video, film, post produzione, rendering, sceneggiatura, produzione cinematografica, effetti visivi, cortometraggi, film indipendente, regia, adobe creative suite, redshift, effetti speciali, powerpoint, microsoft office, correzione del colore, maxon cinema 4d, octane, microsoft word, progettazione, progettazione grafica are some of the skills that kenta crisà has.
Who are the peers at other companies with Similar Designation like kenta crisà?
Brunella Filì, Luigi Mattei, Simone Chiesa, Fulvio Riondino are some of the other counterparts holding the similar designation in other organizations like kenta crisà.
List the companies where kenta crisà has worked in the past.
kenta crisà has worked for robin studiofalse so far.
Where are the headquarters of the company kenta crisà works at?
The company is headquartered at Torino, Piedmont, Italy.
Who is regista cinematografico at Robin studio?
kenta crisà is regista cinematografico at Robin studio.
Where does kenta crisà live?
kenta crisà is currently residing in torino, piedmont, italy.
What industry is kenta crisà involved in?
kenta crisà is currently working with the motion pictures and film, industry.
